Wednesday, September 18, 2019
Compare/Contrast Cinderella Essay -- Essays Compare Vietnam Essays
Compare/Contrast Cinderella Essay à à à à à à ¢Ã¢â ¬Ã
âThe Walt Disney Company is a powerful economic and cultural phenomenon known throughout the United States and the world as a provider of family entertainment (Maltin, 1, 308). Its media and entertainment holdings establish it as a central communicator in contemporary life. As such, it provides many of the first narratives children use to learn about the worldà ¢Ã¢â ¬? (Ward, 1). Disney has always been family oriented making it one of the main attractions of reading something Disney. They always have an innocent feeling to their stories, which makes it more appealing for children. But in Vietnamese fairytales a family oriented story may be somewhat gory or violent. à ¢Ã¢â ¬Ã
âThe stories from Vietnam tell us about their culture, their beliefs, and their determination throughout timeà ¢Ã¢â ¬? (Ly, 1). The 1950 version of à ¢Ã¢â ¬Ã
âCinderellaà ¢Ã¢â ¬?, written by Walter Disney and adapted by Campbell Grant, has some differences and similarities to the Vietnamese à ¢Ã¢â ¬Ã
âTam and Camà ¢Ã¢â ¬?, by Vo Van Thang and Jim Larsen. They differ in their violent content in their stories but similarly have a great deal of magic included and also both have prevalent characters to help them find their way. Being a Disney tale à ¢Ã¢â ¬Ã
âCinderellaà ¢Ã¢â ¬? was not a very violent story. à ¢Ã¢â ¬Ã
âOur analysis of morality in entertainment is limited and stylized at present. Violence in the media is a major concern, and we research it relentlessly. But our treatments are typically moralistic and academically superficialà ¢Ã¢â ¬? (Christians, foreward). In Disney it is à ¢Ã¢â ¬Ã
âmoralà ¢Ã¢â ¬? to not use violence and it is also what is culturally acceptable. In Vietnam it is culturally significant to present the violence how it is and it is told to children in this same way. à ¢Ã¢â ¬Ã
âThe stories came about as a means of escaping their everyday lives and a way to live out their dream worldsà ¢Ã¢â ¬? (Ly, 1). Tam was the good sister and Cam was the evil stepsister who took orders from her evil stepmother. Tam finally had one last chance to get back at them both for the misery they put her through, and she took her chance. à ¢Ã¢â ¬Ã
âWhen Cam was in th e hole Tam ordered the servants to pour in the boiling water, and so her stepsister met her death. Tam had the body made into mam, a rich sauce, and sent it to her stepmother, saying that it was a present from her daughter. Each day the woman ate some of the mam with her meals, always c... ...ish bones in four jars later in the story the four jars become all the ingredients Tam needed to attend the Kingà ¢Ã¢â ¬Ã¢â ¢s festival. The Buddha not only shows her the path to her destiny but also shows her how ordinary, not so beautiful things can become, à ¢Ã¢â ¬Ã
âreincarnateà ¢Ã¢â ¬? into extraordinary things. à à à à à à ¢Ã¢â ¬Ã
âCinderellaà ¢Ã¢â ¬? and à ¢Ã¢â ¬Ã
âTam and Camà ¢Ã¢â ¬? are so much alike especially using the workings of magic throughout these tales and also differ in the way that these stories use violence to represent their cultures. Their hope comes from these characters that help them on their paths for Cinderella it was her fairy godmother who created magic and for Tam it was a Buddha who hinted her to create magic reincarnation. à à à à à à à à à à à à à à à à à à à à à à à à à Works Cited Disney, Walter E. Cinderella. Walt Disney's Cinderella. Comp. Campbell Grant. N.p.: n.p., 1950. 516-517 Ly, Hugh H. Vietnamese Children's Stories. 17 July 2003. Pacific University. 1 Apr. 2005 Van Thang, Vo. Jim Larson. Tam and Cam. Tam and Cam (Vietnam). N.p.: n.p., 1993. 228-233 Ward, Annalee R. Clifford G. Christians. Mouse Morality: The Rhetoric of Disney Animated Film. Austin, TX: University Of Texas P, 2002 à à à à Ã
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